Splendid |
Few bands consider an ever-changing membership a strength, but the creative burst that Everything, Now! gains with each lineup shift provides bandleader Jonathan David Rogers and his fans with a fresh approach to the group's experimental material. Police, Police! is a reminder of what it means to make memorable music with largely uncertain circumstances. Rogers is clearly interested in the big picture, as each song on Police, Police! will pull you in multiple directions without forsaking his larger vision. The pieces work well on their own, often morphing several times over the course of their run time, but always muster enough stylistic consistency to form a coherent album. That's why Everything, Now!'s grand pop experiment succeeds. |
| Hybrid Magazine Ewan Wadharmi February 2006 |
I wanted to take advantage of the ridiculous name and penchant for punctuation by claiming Everything, Now! sounds like Iggy, Bowie! But it isn't all that simple. This convoluted crew with the neglected website, has a bio that reads like jumping into a Spanish soap opera. The situations are all laid out, but you never really know what's going on. About all I can cull from it is that some giant named "Justin" shares my affection for Keith Green. We're used to bands with no surnames, but it's not even clear who plays what on this project, not to mention the fact that they start the disc with track two. Plus also, here's the liner notes? Smart-asses. With an album this solid, I guess you have to spin a wheel or throw pies to decide the order, and "Massacre At Birdshit Carwash" is as good as any to draw you in to this sordid world of knickknacks. The distorted blues-stomp finds the unholy marriage of MC5 and Cop Shoot Cop before splitting to hook up with Bowie in a mind-blowing Three Dog Night bridge. "I Live In A Trailer Park" gives a little time to recover into Leonard Cohen meets Filthy Thieving Bastards banjo folk that builds nicely before the bombastic Salvation Army band comes in and blasts Tom Waits out of the sousaphone. New wave synths on "Double Bath" give over to circus-space-dub, while "The Ritual" reminds us what Flaming Lips used to achieve pre-Transmissions... when they were still interested in rocking. The weak link if you can call it that, is the slowdown "Rocketship" which still manages to showcase their ability to write pretty, but melodically inventive pop. "Fishbowl Prank" begins the end with a bit of theatricality and builds it into a full-blown Alberto y los Trios Paranoias Broadway chorus of rock goodness. Though Police, Police! warrants more bandname droppings than I've utilized before in one place, it's still one of the most unique and imaginative records I've heard in years. Note perfect, drive perfect, sentiment perfect and power perfect, this is art rock of the highest order. |
| INK 19 byAaron Shaul |
Muncie, Indiana might not seem like a hot bed of avant-garde indie music, but Everything, Now! aims to disprove that assumption. The band's Police, Police! EP is virtually unclassifiable, running the gamut of rock genres from punk to folk to dub to circus sideshow. The most common thread in the unhinged lexicon is the sound of Wolf Parade commandeering Tom Waits' backing band. Percussion spills out of every single meter of verse; it's as if the band let a small tornado loose in an ironworks and captured it all on a field recording. This unexpected sound montage dynamic telegraphs the group's penchant for non-linear songwriting as well. On "The Ritual", '90s alt-rock riffs make the song's first minutes seem slightly not-so-fresh, but the jungle chants and tribal beats that close it out come completely from left field in a redemptive swoop to save the track. "Rocketship, IN!" kicks off like a straight-up homage to David Bowie's "Space Oddity" but gradually shifts into an almost Morricone-esque Spaghetti Western march and ends up on a barren soundscape of austere bells. "Fishbowl Prank" is pure pop-punk that blooms in a Pogues' barroom sing-a-long at closing time. It's all an uproarious experience, to be sure, and one that's throughly original. |
| Baby Sue Septemer 05 |
If one were to judge Police, Police! based purely on the first few bars of the second track ("Massacre at Birdshit Carwash," the first real song), one might incorrectly assume that Everything, Now! is just another noisy alternative twenty-first century rock band. But as the song progresses, you begin to notice that there's a lot more going on here. By the time the third tracks comes ("I Live in a Trailer Park"), everything comes clearly into focus. Here's a fact. Everything, Now! is a band with real depth. This band's tunes are complex, intelligent, catchy, and thought-provoking...and feature some wonderfully creative lyrics. So many bands write songs that start with one riff...and then they just keep playing the same thing over and over until the end. The folks in this band delve into more areas in one song than most bands incorporate into entire albums. The best part...is that Police, Police! is a very easy listen. The songs flow by in a deceptively smooth manner...making the listener almost forget how much they are actually absorbing. Listening to this album gives us the same feeling we get when we're riding a really killer roller coaster. The band hits so many peaks and valleys in such a short amount of time that you almost can't believe what you're hearing. In the same general vein as Riddle of Steel and The Flaming Lips but much, much different...Everything Now! is one of the best new bands around. Killer tracks include "Double Bath," "The Ritual," "Rocketship, In!" and "Fishbowl Prank." Highly recommended. (Rating: 5+++) |
| Amazon June 1, 2007 |
| This record has an interesting mix of pure joy, anxiety, and anger. There is a definite 60s psychedelic influence with everything now's sound. Its also apparent that bands like modest mouse and neutral milk hotel had an impact on the group as well. The vocalist at times sings as though he is being chased by someone down the street who is determined to do him harm which gives the album a paranoid vibe to it. "Rocketship, IN" to me describes the loneliness and isolation of being in an indie rock band in a state that (with the expection of bloomington) lacks a viable scene for groups like EN! to thrive in. "Fishbowl prank" sends the album out on a high note with a large gathering of backup singers chanting everyone will sing together! This ep will keep listeners on their toes because no one song sounds alike. Highly recommended. http://www.amazon.com/gp/cdp/member-reviews/AD7WNKW37GC6E?ie=UTF8&sort_by=MostRecentReview |
| RockMusicReview |
| Everything, Now!- Freedom Sex with Bible Woman Take your 4-piece band, throw in layers of keyboards, random instruments, hoots, hollers and fun, and get everything, now! This Muncie band's critically acclaimed sophomore album, POLICE, POLICE is available on Standard Recordings. "Freedom Sex with Bible Woman" is unreleased, and will be on their next album on an announced label. |
| For The Sound |
| Score: 3.5/5 I could almost directly compare each song on this album to a different band – sometimes, more than one band per song. Often, this would be the start of a terrible review. But in the case of Everything, Now!, they pull it off with such energy that it ends up being a good thing. Everything, Now! takes sound montage to an interesting place with their follow up to 2003’s Sunshine of Doom. Combining random sound clips with synthesized noise and traditional instrumental accompaniment, Everything, Now!assures no chance of boredom with their constantly fluctuating style. The album begins with a track comprised mostly of sound clips, which explodes into the second track, “Massacre at Birds--- Carwash”, a swing-pop-esque song topped off by vocals reminiscent of Daryl Palumbo in “At the Speed of a Yellow Bullet”. The album continues to vary from there, and includes an acoustic track which rises into a parade of trumpets and gang vocals; “Rocketship, IN” is a mellow, sprawling ballad which fades into eerie church bells. The album concludes nicely with “Fishbowl Prank,” in a similar style to that of Simon Dawes, which features hysterical yet controlled vocals that fluctuate perfectly with the melody of the song. Comprised of only seven tracks, Police! Police! is short and sweet – but that doesn’t mean Everything, Now! hasn’t done their best to pack as much as they possibly can into those twenty nine minutes. For listeners who prefer a more consistent sound, this album isn’t likely to satisfy your taste. But if a quirky, original and at times almost abrasive combination of dynamic sounds and styles seems like a good time, then giving this a listen might be just the right thing for you. http://www.forthesound.com/Album_Reviews/p2001_articleid/1010+%22everything,+now!%22+%22sunshine+of+doom%22+review&hl=en&ct=clnk&cd=43&gl=us&client=safari |